The American photographer brings the idea of the Covid-19 epidemic to ceramic works

American photographer Peter Olson has put images of the Covid-19 epidemic in 2020 on ceramic pots into an interesting art form.

Denver Magazine 5280 in Colorado (USA) prologue: If you are looking for something beautiful, the pottery photographer Peter Olson’s pottery is not for you. The old medical texts, illness, and life at the difficult time of Covid-19 are what really inspired this artist.

Photographer Peter Olson has a local reputation for his photos of architecture, bustling street scenes, portraits of famous business people before trying their pottery. Recently, Peter Olson put photos taken on ceramic vases as an interesting art form. According to 5280 magazine, ceramic vases decorated with images related to the Covid-19 translation are being placed at the Michael Warren Contemporary Art Gallery in Denver, Colorado (expected to last until the end of the month. 1.2021).

Talking about his fate with pottery, photographer Peter Olson said that about 7 years ago, he started taking clay familiarization classes in Philadelphia city (Pennsylvania, USA). Peter Olson recalled that he knew nothing about pottery and was just thinking of making pottery as a hobby. Asked when he came up with the idea to combine photography with ceramics, Peter Olson said that he saw a few glasses with photographs like that. When he arrives in London (UK), he takes photos of people caught up in busy shopping time. Then he also took a shot of people in crowds in Times Square or the land known as Ground Zero in New York. Then I started making pots, pots and pictures on them. Those are the first ceramic works.

When the Covid-19 translation broke out, photographer Peter Olson changed the image on the pottery. Wherever he travels, he takes pictures of museums. As the Covid-19 translation reappears, I suddenly think of photographs of ancient medical texts. At the same time, I was reading A Journal of the Plague Year by English writer Daniel Defoe, feeling the parallels between the context of the plague in 1664 and the present Covid-19 translation. Then we saw a photo related to Covid-19 by the US Centers for Disease Control and Prevention (CDC). He thought it was time to put pictures of the new strains of SARS-CoV-2 virus, vaccines, and old medical documents on ceramics. Although some text is not intact or out of focus, but when you look at it, you will still feel their very different beauty on ceramic works. These ceramics represent a tumultuous 2020 year.

Peter Olson adds that he has about 100,000 images related to Covid-19 and has been scientifically divided into categories to avoid confusion in the selection of images to be placed on ceramics.

Psychological effects of art

Everyone has flaws in mind. Art will help heal those injuries, thereby making us more complete, from within ourselves.

Strengthen your memory

Human memory is not perfect, so it is understandable that the fear of forgetting is one of the sources of trouble in humans. We easily forget about specific details about people, places, buildings, parks, but we fear that when we combine those details together, we can forget a part of who we are. But Armstrong and de Botton comfort us that a great artist is also someone who knows the right choice of what to convey in a work and what should be removed. It is like being able to remember only the most important things.

Bring hope

Our contradictory relationship with beauty represents a particular paradox. Popular works often have a popular beauty, but academic critics see them as decadent products of taste and wisdom. Things that look good often imply that they are being viewed overly simplified as if you wanted the world to be brighter, you just had to add a little flowers. That innocence and simplicity distracts us from our efforts to change. In addition, limits are always afraid that good-looking things will make us lose their guard against injustices around us.

Recognize your sadness

Apart from positive emotions, art also reminds us of sadness which is a vitally important part of life. Above all, as de Botton and Armstrong argue, art makes us feel less lonely in our own suffering; Our own sorrows will be portrayed as iconic images by other individuals in society.

Help rebalancing

This function of art also helps explain the diversity of our tastes. Since each individual is imbalanced in a different way, people also look to different works of art to ease their state of mind.

Help self-understanding

We don’t feel ourselves clearly. We have intuitions, doubts, premonitions, vague thoughts, and oddly mixed emotions, all of which cannot be briefly and transparently defined. We have many moods, but we have never really understood them. And then, sometimes, we come across works of art that seem to touch something we have never felt in detail.

Dolce far niente: The art of living happily from the Italian quiet

As things progressed, people became more and more busy and had less time to enjoy life. The Italians have a very effective life secret that can help all of us solve this problem and live happier lives.

Italy is a country located in the Mediterranean region. The Italian’s view of life is almost different from the West and very close to Eastern values. From that similarity, there are many things that we can learn from this distant country to help improve our quality of life. The most remarkable thing is that they attach great importance to the balance between work and enjoyment to achieve a truly happy life.

“Dolce far niente” Concept of the Italians
“Dolce far niente” is a phrase that Italians use to describe the comfort, happiness that comes from the idle state, tranquility of the soul. This may seem like a luxury to some, but Italians in Florence and Tuscany believe that joy can be found in the very intimate, familiar things you love such as eating delicious, delicious food. Watching an interesting movie, reading a good book. “Dolce far niente” is not only for the rich in terms of time but it is a philosophy deeply ingrained in Italian perception.

In the film Eat Pray Love (2010), the character Elizabeth (played by Julia Roberts) blamed herself for all she did in three weeks in Rome was just eating and learning a few Italian words. Then, her companion said, “You are not someone who knows how to enjoy yourself.” They are describing the concept of “dolce far niente” and it seems that Elizabeth has not really understood the happiness that comes from idle.

The Belmond Hotels Group in Tuscany and Florence launched an experimental campaign around the idea, coinciding with the opening of the Castello di Casole – a place built for resting purposes in the heart of the region. Tuscan countryside. It’s easy to enjoy a happy life when we relax by a pool overlooking the Tuscan hills and this is how the world of the “dolce far niente” concept begins. The tours offered by Belmond also bring guests to meet local artists, pizza chefs, and designers. Each of them has their own idea of ​​how to enjoy the happiness of leisure in work and life.

One evening at Castello di Casole is also attended by a group of local artisans, including designers, basket weavers and furniture makers. Their work is deliberate, stable, and comfortable. The weavers try to preserve the traditional craft, the designers always come up with new ideas to bring unique designs or furniture makers are meticulous and sophisticated in creating. out each line on the object. They seem to have a world of their own and stay away from the “go fast and break the limit” philosophy set by Facebook’s Mark Zuckerberg. In that world, they completely focus on themselves, understand and feel great joy when creating and bringing to life art products rich in aesthetics.

Radicondoli – a hilltop commune in the Sienese countryside is the place that brothers Tommaso and Federico Vatti run the pizza restaurant La Pergola. On a large terrace facing the hills, Chef Tommaso offers four different versions of the pizza, all using local ingredients. The combination of specialty pizzas and red wine creates the perfect space to enjoy the cuisine in a quiet and peaceful position. According to Italian tradition, the meals here last for hours.

The Italians believe that in order to enjoy the “dolce far niente” state, we need to understand its rules. The first rule is that you must be able to enjoy what you do, including the time you spend in it and the things you create. The second is that we should not judge our own work or the work of anyone else. Rule number three is very important: do enough work. People have a habit of overwork and over-planning, but if you work too much, you will destroy any positive emotions. Learn how to rest your brain by thinking nothing.

Artist Hajime Sorayama and the art world of taboos

Over 50 years of his career, artist Hajime Sorayama – who once resonated with the impressive fembot statue in Kim Jones’ Dior Men Pre-fall 2019 – still challenges the limit between the pure beauty of women and sexual norms in society.

Artist Hajime Sorayama identified himself as an illustrator instead of an artist. According to him, illustrating is a process that is “drawn from logical thinking, rather than reflecting ordinary hate feelings”. Sorayama is famous for the art school he calls “surrealism.” Referring to him, the art lovers and even the fans of the science fiction genre often think of fembot illustrations (female robot figures) that have a bit of mixed charm. Very charming fascination of female body curves and sensual lustful inspiration.

At the age of seven, the endless creativity of this artist is still warmly received by fans at art exhibitions around the world and through collaborations with famous fashion brands that Dior Men Pre-fall 2019 is a typical example. In this article, let us look back on the artistic journey of artist Hajime Sorayama.

Touching the painting lane
Artist Hajime Sorayama was born on February 22, 1947 in Imabari City, Ehime Prefecture, Japan. Before he realized his passion for illustration, he went through puberty with many different career orientations. He once shared that his predestined relationship with painting only came when one of his high school teachers realized his talent in drawing through Playboy-inspired paintings and suggested it to him.

While studying majoring Greek and English literature at the school at Shikoku Gakuin University, Sorayama published the first illustrated magazine called Pink Journal. However, his ideas and inspiration in this work faced harsh criticism from lecturers and students for being “too sexy” compared to the views of the majority of Japanese at that time.

After that event, he moved to Tokyo’s Chuo Art School completely to pursue painting. He graduated at 21 years old and worked for an advertising agency before becoming a freelance illustrator at the age of 25. At 31, while working with a friend, he produced the first robot illustration inspired by the C-3PO character of the Star Wars series.

Challenge the line between exquisite beauty and vulgarity
Being creative in his own art philosophy, Hajime Sorayama gradually shaped his personal illustration style through a series of fembot works that broke the line between fiction, femininity and sensual satisfaction. In the context of a Japanese society that is still wary of body-exposed images and content, Sorayama has gradually broken that barrier with his determination to pursue the school he described. two words “surreal”.

Anyone can be an artistic creator

When does a work become art? Would the picture of the Mona Lisa be so expensive if only hung in a warehouse? Why can bananas stick to walls? Those are the questions many people think of when talking about art. And one does not shirk the truth nonetheless: Art exists only when there is an audience.

As the history progresses, the audience is getting closer and closer to the artworks. From the beginning, when art was primarily for religious rituals and beliefs, audiences were forced to stand in the distance and to look forward. Then, gradually, works of art began to appear in families, whether in the form of painting or music. The works then leave the private spaces, displayed in museums for anyone to come and admire. They are even given public spaces, so that people can touch, touch and contemplate themselves in them.

However, it was not until the era of interactive art that audiences truly became an essential part of art. They are no longer people watching, admiring or taking pictures with the work. They are the contributors to turning art into art. In other words, they are co-creators.

Compared to other art forms, the art of postpartum interaction is later, but is now one of the ways to help artists soon establish their names quickly. The special feature of this art form is the ability to transform the work, giving each audience a completely different experience. The first recognized interactive artwork appeared in the 1960s, when artist Allan Kaprow commissioned a garden filled with old tires and audiences could freely create their work as they walked. go there.

Returning to audience participation, precisely because of this feature, interactive art also often requires special display spaces compared to traditional art forms. Regardless of technology’s dependence, in order for the audience to be able to co-create, artists must calculate the space so that they can step in and become part of it. In many cases, an interactive artwork will require a colossal space.

Some of these examples show what makes this art so powerful. Because whether or not you truly understand the messages behind the works, one thing is for sure, the audience will never be bored. They will not have to experience the feeling of being overwhelmed or tired of the weasel knees like walking through the immense museums to see the classics. Co-creation, whether subconsciously or artistically, to bring audiences back to a curious child may have long been forgotten. And maybe because of that, they will feel that art and life are truly one, and everyone has a great source of creative energy, as long as someone gives them the opportunity.

Notable art exhibition of 2020

If you are an individual who loves art and is interested in artistic life, let us quickly update the list of the most significant art exhibitions around the world in 2020 through the following article.

The remarkable thing for the (contemporary) art movement in recent years is that it has overcome all barriers and become a global cultural phenomenon. They are closer to the general public through a more understandable language, associated with fashion brands, music, visual slideshows as well as with commercial promotion campaigns. Of course, besides new approaches, traditional art exhibitions are still indispensable. If you are an individual who loves art and is interested in artistic life, we will quickly update the latest international exhibition list in 2020.

  1. Furusiyya: The Art of Meditation”
    The Louvre Abu Dhabi houses more than 130 historical items from France, Iraq, Spain and Syria, with a medieval knight theme. Artworks have been selected from a range of museums, including the Musée de Cluny, the French National Museum in Paris. “Furusiyya: The Art of Meditation between East and West” is expected to receive many comments from artists.
  2. Gerhard Richter: Painting After Everything”
    Richter is an interesting artist who is well-known for his incredible valuation works in prestigious world auctions. In 2015, an abstract piece of his art was auctioned for $ 46.3 million at Sothwise in New York. The artist “opened the pen” in 1986, took about 29 years to complete.

His art blurs the line between photography and painting, evoking memories, loss and repression. Now, with 100 works on display at Met Breuer, the exhibition “Painting After Everything” will showcase his skills in the most honest way.

3. “Niki de Saint Phalle”
Saint Phalle was a talented artist born in 1930 and died in 2002. She began working as a professional artist in her 30s after pursuing a modeling career. After the modeling career ended, she emerged with her sculptures. Saint Phalle addresses exotic and unique subjects such as “the flying woman” and “Gaudi-esque architectural monument”. In this exhibition in New York, there will be 100 works continue to prove her vision and artistic tastes.

Art Exhibitions that worthing to enjoy

Furusiyya Exhibition: The Art of Chivalry Between East and West
Louvre Museum, Abu Dhabi

But only a mere two years old. But the Louvre Museum in Abu Dhabi is known for its impressive exhibits. This spring, it will show more than 130 historical items. The exhibits are from France, Iraq, Spain and Syria. This exhibition will tell the public the story of medieval knights. Here you can see firsthand the swords of the famous knights. Many of the artworks on display here are borrowed from major museums around the world such as the French National Museum of Medieval Paris and the Cluny Museum. There are also many artifacts owned by the Louvre, Abu Dhabi.

Painting exhibition by artist Gerhard Richter: Painting After All
Met Breuer Museum, New York, USA.

The world of painting is probably not new to the artist Gerhard Richter. His abstract paintings are a mixture of surreal paintings and photography. Richter’s paintings always bring viewers sadness. In 2015, a large painting he painted in 1986 was sold for $ 46.3 million by Sotheby New York. This year you can see more than 100 of his works at the Met Breuer Museum, New York, USA. This is considered the largest exhibition of Richter in the US in the past 20 years.

Marina Abramović: After Life
Royal Academy of Arts, London, England.

This is Abramović’s first solo exhibition in the United Kingdom. And more noticeably, this is also the solo exhibition of the first female artist held by the Royal Academy of Arts in the museum’s 250-year history. Art enthusiasts often know Abramović for their artistic performances of endurance.

One of her most noticeable items was the 730 hours she looked into the eyes of Mordern Art museum visitors. Not only known as a performing artist, Abramović’s 50 years of artistic activity are marked by countless photographs, films and works of art. All of these items will be on display in her exhibition at the Royal Academy of Arts, London, UK.


A painting exhibition is a form of organizing and presenting works of collectives or individuals that have been composed long or recently. To hold an exhibition, the following basic elements are required:

* The first is to have a work for display. How many works, sizes, genres, material shown by them. The investment is more or less complete, careful or superficial (the quality of the picture frames). The exact amount and size of the space will require appropriate exhibition space.

  • Secondly, it is necessary to have appropriate exhibition space with the number and category of works. This space also relates to the location and location of the gallery’s architecture, which is convenient for sightseeing and travel of the world. Exhibition or professional exhibition space also affects the ability to attract professionals and the author’s reputation.
  • The third is how to organize exhibitions thoughtfully and methodically.
  • Wednesday is to have the public to visit and be an art lover. Without one of the four factors, it is impossible to organize an exhibition. In the way of organizing, it includes work according to the preparation, exhibition and closing steps.

In the preparatory step, the following tasks are performed:

  • Register before the expected time of the exhibition. This includes choosing the location, the most convenient space, the most professional. It usually takes a long time to register (at least three months or more depending on the type of exhibition hall).
  • Find sponsors for the exhibition (if possible).
  • Complete the picture frame, podium (if the exhibition is about sculpture) for all works. . . (completed before transporting the work to the exhibition for a minimum of a week).
  • Ask a professional photographer to take photos of all the works on display. This photo will be used in two things, the first of which constitutes an album to be submitted for permission to exhibit. (Attached with application for permission to exhibit), Monday to send to the press right in the press conference before the opening time.
  • Contact the Fine Arts Association, the Department of Culture and Information for permission to exhibit (with photos of the works planned to be exhibited).
  • Design, print invitations, catalogs, banners, posters of the exhibition and make a list of guests, including those who plan to invite the cutting of the opening ribbon and make a speech during the opening ceremony. Must inform these characters in advance.
  • Advance notice to friends and relatives. Especially individuals with the ability to buy paintings. Notice to some friends as media reporters so they have the concept of the exhibition (even grasp the advance information about the purpose, meaning, characteristics of the author, the work).
  • Design and print name labels for all works that will be displayed.
  • All invitations must be sent one week in advance (up to the opening date).

At the exhibition step, there are things in the following order:

  • Transportation of paintings to the exhibition. Must keep the work safe (including picture frame, platform).
  • Arranging, arranging pictures and hanging on the wall. Pay attention to the colors of the pictures when placed side by side so harmoniously, not against each other. The layout system of paintings must be aligned with the upper or lower eyelids of the works. For works that are sculptures or installation art, we need to pay attention to the passage.
  • Label the name of the picture into the appropriate picture. Do not paste too high or too low. Do not stick to the picture frame, losing the seriousness of the work (paste on the wall, right next to the picture, position at eye level). Normally, the layout, hanging, display, labeling, banner, poster for the exhibition must be completed one day before the opening.
  • Prepare information packages including the author’s speech about the exhibition, photos of typical works. Should prepare the right amount will be distributed to reporters on the radio during the press conference (if invited to ten reporters should have a minimum of ten sets).
  • Prepare a log of impressions of visitors and friends for the work or author. Impressive numbers are located in the exhibition hall from the opening to the end of the show.

Seto Celadon art masterpiece

Kumiko Murai and father, Norio. Norio’s phone # 0561-48-1688. Wife Tsumako. Kumiko’s phone #: 090-3588-7072; 0568-95-5288; Chuodai 5-2-21; Kasugai-shi, Aichi-ken.

Seto Celadon art porcelain (瀬戸青瓷) has become world famous since the Meiji period when the Japanese spent more than 7% of this product exported to the US market. Beyond Sato Ruri (瀬戸瑠 璃) or Sometsuke (染付) porcelain, featuring the blue and white glaze of noble royal blue, Seto Celadon is as vivid as a picture of flowers and birds. 3D rendering on a jade-green glaze background.
Seto is known as the only center of pottery in medieval enamelling and became famous in Japan since the 13th century. Owari (or Seto) first appeared in connection with ceramics in the Nihon epic. 9th century Kōki (日本 後 紀) In the beginning, Seto pottery art was born to meet the needs of tea parties from Zen masters such as Myōan Eisai (明菴榮西, 1141-1215) when studying abroad in China. , brought the tea varieties to grow and stimulate the development of pure Japanese tea (茶道).
During the Kamakura period (92, 1192-1333), Seto pottery almost mimicked the art of Celadon blue celadon pottery (青瓷) and the dark brown ceramic Tenmoku (天 目) in the Southern Song Dynasty (南宋, 1127-1279). . During the Muromachi period (室町, 1337-1573), Seto yeast was further refined, developed in various styles and modeled for tea ceremony utensils. Since the Korean potter Yi Sam-pyeong (李参平, died 1655) was abducted and brought back to Kyushu (九州), the discovery of kaolin white clay in Hizen Province helped him become the first Japanese porcelain profession to produce. made in 1616.
The Japanese began producing Sometsuke porcelain, imitating Western designs and serving for export from the 17th century. The Tokugawa shogunate (1603-1867) imposed a nationwide policy (鎖 国) in 1633, resulting in discontinued porcelain exports to 1757 and then to an end. History records the 14th shogun Tokugawa Iemochi (徳川家茂, 1858-1866) in an effort to give Queen Victoria a tin of Seto porcelain food in 1866 until handing over power to Emperor Meiji in 1867.
The porcelain arrived in the Seto region quite late in the early 19th century, consisting of mainly Sometsuke, Ruri and Celadon porcelain called Shinsei-yaki (真成焼, new and molded porcelain) to distinguish it from Hongyo-yaki, (本行焼, traditional ceramics). Ruri specializes in religious goods and offers Western-style tableware, dishes and vases. Sometsuke and Celadon are manufactured as moist tea utensils, deer wine, vases, bonsai pots (盆栽) with oriental characteristics, captivating collectors’ passion for hunting as it continually wins awards. Grand prize at the Paris exhibition for a short time from 1900 to 1901.

The relationship between Chanel fashion and the art of ballet

Since fashion and dance are combined in harmony, ballet has become an integral part of the Chanel family.

Talking about the relationship between Chanel fashion and the art of ballet, we will go back in time to 1913. At that time, Gabrielle Chanel and her boyfriend, Boy Capel happened to see the show The Rite of Spring directed by Nijinsky. This is also the work with a special mark in her life.

When she met Misia – who later became close friends for 30 years, Gabrielle Chanel gradually entered the colorful art world. She met many famous artists, including Sergei Diaghilev, founder of Ballets Russes and revolutionized the art of dance. Different from the outdated conventions of classical dance, the brilliant aesthetics of the Ballets Russes, where music, dance and the art of great fusion, turn ballet into a complete art.

Gabrielle Chanel first met Sergei Diaghilev for lunch in Venice. At that time, Sergei wanted to recreate the play The Rite of Spring and was calling for financial support. Gabrielle Chanel decided to help him on one condition: no one knew about her involvement. As a result, the ballet was performed in Paris on December 15, 1920. Later, Diaghilev’s secretary, Vladimir Kochno, revealed the incident.

In 1924, Gabrielle Chanel designed dance costumes for the classic ballet Le Train bleu, produced by Ballets Russes. After the final training session, she realized “the freedom of the body is the best beauty” and began to adjust the designs to suit each dancer. So for Chanel, ballet is a unique experience that allows her to harmonize artistic values ​​into each design.

Later, this inspiration was followed by Karl Lagerfeld in the Spring-Summer 1998 Collection. Continuing the patronage of the founder, House of CHANEL has been the official partner of the Nijinsky Awards Ceremony in Monaco since 2000 and Since 2018, Chanel has been sponsoring gala outfits for the opening of the dance season at Opéra de Paris. This year, Virginie Viard is the Art Director responsible for designing costumes for the Variatuons ballet choreography choreographed by a friend of Garielle Chanel, Serge Lifar.