Contemporary Art

Anyone can be an artistic creator

When does a work become art? Would the picture of the Mona Lisa be so expensive if only hung in a warehouse? Why can bananas stick to walls? Those are the questions many people think of when talking about art. And one does not shirk the truth nonetheless: Art exists only when there is an audience.

As the history progresses, the audience is getting closer and closer to the artworks. From the beginning, when art was primarily for religious rituals and beliefs, audiences were forced to stand in the distance and to look forward. Then, gradually, works of art began to appear in families, whether in the form of painting or music. The works then leave the private spaces, displayed in museums for anyone to come and admire. They are even given public spaces, so that people can touch, touch and contemplate themselves in them.

However, it was not until the era of interactive art that audiences truly became an essential part of art. They are no longer people watching, admiring or taking pictures with the work. They are the contributors to turning art into art. In other words, they are co-creators.

Compared to other art forms, the art of postpartum interaction is later, but is now one of the ways to help artists soon establish their names quickly. The special feature of this art form is the ability to transform the work, giving each audience a completely different experience. The first recognized interactive artwork appeared in the 1960s, when artist Allan Kaprow commissioned a garden filled with old tires and audiences could freely create their work as they walked. go there.

Returning to audience participation, precisely because of this feature, interactive art also often requires special display spaces compared to traditional art forms. Regardless of technology’s dependence, in order for the audience to be able to co-create, artists must calculate the space so that they can step in and become part of it. In many cases, an interactive artwork will require a colossal space.

Some of these examples show what makes this art so powerful. Because whether or not you truly understand the messages behind the works, one thing is for sure, the audience will never be bored. They will not have to experience the feeling of being overwhelmed or tired of the weasel knees like walking through the immense museums to see the classics. Co-creation, whether subconsciously or artistically, to bring audiences back to a curious child may have long been forgotten. And maybe because of that, they will feel that art and life are truly one, and everyone has a great source of creative energy, as long as someone gives them the opportunity.

Notable art exhibition of 2020

If you are an individual who loves art and is interested in artistic life, let us quickly update the list of the most significant art exhibitions around the world in 2020 through the following article.

The remarkable thing for the (contemporary) art movement in recent years is that it has overcome all barriers and become a global cultural phenomenon. They are closer to the general public through a more understandable language, associated with fashion brands, music, visual slideshows as well as with commercial promotion campaigns. Of course, besides new approaches, traditional art exhibitions are still indispensable. If you are an individual who loves art and is interested in artistic life, we will quickly update the latest international exhibition list in 2020.

  1. Furusiyya: The Art of Meditation”
    The Louvre Abu Dhabi houses more than 130 historical items from France, Iraq, Spain and Syria, with a medieval knight theme. Artworks have been selected from a range of museums, including the Musée de Cluny, the French National Museum in Paris. “Furusiyya: The Art of Meditation between East and West” is expected to receive many comments from artists.
  2. Gerhard Richter: Painting After Everything”
    Richter is an interesting artist who is well-known for his incredible valuation works in prestigious world auctions. In 2015, an abstract piece of his art was auctioned for $ 46.3 million at Sothwise in New York. The artist “opened the pen” in 1986, took about 29 years to complete.

His art blurs the line between photography and painting, evoking memories, loss and repression. Now, with 100 works on display at Met Breuer, the exhibition “Painting After Everything” will showcase his skills in the most honest way.

3. “Niki de Saint Phalle”
Saint Phalle was a talented artist born in 1930 and died in 2002. She began working as a professional artist in her 30s after pursuing a modeling career. After the modeling career ended, she emerged with her sculptures. Saint Phalle addresses exotic and unique subjects such as “the flying woman” and “Gaudi-esque architectural monument”. In this exhibition in New York, there will be 100 works continue to prove her vision and artistic tastes.

Art Exhibitions that worthing to enjoy

Furusiyya Exhibition: The Art of Chivalry Between East and West
Louvre Museum, Abu Dhabi

But only a mere two years old. But the Louvre Museum in Abu Dhabi is known for its impressive exhibits. This spring, it will show more than 130 historical items. The exhibits are from France, Iraq, Spain and Syria. This exhibition will tell the public the story of medieval knights. Here you can see firsthand the swords of the famous knights. Many of the artworks on display here are borrowed from major museums around the world such as the French National Museum of Medieval Paris and the Cluny Museum. There are also many artifacts owned by the Louvre, Abu Dhabi.

Painting exhibition by artist Gerhard Richter: Painting After All
Met Breuer Museum, New York, USA.

The world of painting is probably not new to the artist Gerhard Richter. His abstract paintings are a mixture of surreal paintings and photography. Richter’s paintings always bring viewers sadness. In 2015, a large painting he painted in 1986 was sold for $ 46.3 million by Sotheby New York. This year you can see more than 100 of his works at the Met Breuer Museum, New York, USA. This is considered the largest exhibition of Richter in the US in the past 20 years.

Marina Abramović: After Life
Royal Academy of Arts, London, England.

This is Abramović’s first solo exhibition in the United Kingdom. And more noticeably, this is also the solo exhibition of the first female artist held by the Royal Academy of Arts in the museum’s 250-year history. Art enthusiasts often know Abramović for their artistic performances of endurance.

One of her most noticeable items was the 730 hours she looked into the eyes of Mordern Art museum visitors. Not only known as a performing artist, Abramović’s 50 years of artistic activity are marked by countless photographs, films and works of art. All of these items will be on display in her exhibition at the Royal Academy of Arts, London, UK.


A painting exhibition is a form of organizing and presenting works of collectives or individuals that have been composed long or recently. To hold an exhibition, the following basic elements are required:

* The first is to have a work for display. How many works, sizes, genres, material shown by them. The investment is more or less complete, careful or superficial (the quality of the picture frames). The exact amount and size of the space will require appropriate exhibition space.

  • Secondly, it is necessary to have appropriate exhibition space with the number and category of works. This space also relates to the location and location of the gallery’s architecture, which is convenient for sightseeing and travel of the world. Exhibition or professional exhibition space also affects the ability to attract professionals and the author’s reputation.
  • The third is how to organize exhibitions thoughtfully and methodically.
  • Wednesday is to have the public to visit and be an art lover. Without one of the four factors, it is impossible to organize an exhibition. In the way of organizing, it includes work according to the preparation, exhibition and closing steps.

In the preparatory step, the following tasks are performed:

  • Register before the expected time of the exhibition. This includes choosing the location, the most convenient space, the most professional. It usually takes a long time to register (at least three months or more depending on the type of exhibition hall).
  • Find sponsors for the exhibition (if possible).
  • Complete the picture frame, podium (if the exhibition is about sculpture) for all works. . . (completed before transporting the work to the exhibition for a minimum of a week).
  • Ask a professional photographer to take photos of all the works on display. This photo will be used in two things, the first of which constitutes an album to be submitted for permission to exhibit. (Attached with application for permission to exhibit), Monday to send to the press right in the press conference before the opening time.
  • Contact the Fine Arts Association, the Department of Culture and Information for permission to exhibit (with photos of the works planned to be exhibited).
  • Design, print invitations, catalogs, banners, posters of the exhibition and make a list of guests, including those who plan to invite the cutting of the opening ribbon and make a speech during the opening ceremony. Must inform these characters in advance.
  • Advance notice to friends and relatives. Especially individuals with the ability to buy paintings. Notice to some friends as media reporters so they have the concept of the exhibition (even grasp the advance information about the purpose, meaning, characteristics of the author, the work).
  • Design and print name labels for all works that will be displayed.
  • All invitations must be sent one week in advance (up to the opening date).

At the exhibition step, there are things in the following order:

  • Transportation of paintings to the exhibition. Must keep the work safe (including picture frame, platform).
  • Arranging, arranging pictures and hanging on the wall. Pay attention to the colors of the pictures when placed side by side so harmoniously, not against each other. The layout system of paintings must be aligned with the upper or lower eyelids of the works. For works that are sculptures or installation art, we need to pay attention to the passage.
  • Label the name of the picture into the appropriate picture. Do not paste too high or too low. Do not stick to the picture frame, losing the seriousness of the work (paste on the wall, right next to the picture, position at eye level). Normally, the layout, hanging, display, labeling, banner, poster for the exhibition must be completed one day before the opening.
  • Prepare information packages including the author’s speech about the exhibition, photos of typical works. Should prepare the right amount will be distributed to reporters on the radio during the press conference (if invited to ten reporters should have a minimum of ten sets).
  • Prepare a log of impressions of visitors and friends for the work or author. Impressive numbers are located in the exhibition hall from the opening to the end of the show.

Seto Celadon art masterpiece

Kumiko Murai and father, Norio. Norio’s phone # 0561-48-1688. Wife Tsumako. Kumiko’s phone #: 090-3588-7072; 0568-95-5288; Chuodai 5-2-21; Kasugai-shi, Aichi-ken.

Seto Celadon art porcelain (瀬戸青瓷) has become world famous since the Meiji period when the Japanese spent more than 7% of this product exported to the US market. Beyond Sato Ruri (瀬戸瑠 璃) or Sometsuke (染付) porcelain, featuring the blue and white glaze of noble royal blue, Seto Celadon is as vivid as a picture of flowers and birds. 3D rendering on a jade-green glaze background.
Seto is known as the only center of pottery in medieval enamelling and became famous in Japan since the 13th century. Owari (or Seto) first appeared in connection with ceramics in the Nihon epic. 9th century Kōki (日本 後 紀) In the beginning, Seto pottery art was born to meet the needs of tea parties from Zen masters such as Myōan Eisai (明菴榮西, 1141-1215) when studying abroad in China. , brought the tea varieties to grow and stimulate the development of pure Japanese tea (茶道).
During the Kamakura period (92, 1192-1333), Seto pottery almost mimicked the art of Celadon blue celadon pottery (青瓷) and the dark brown ceramic Tenmoku (天 目) in the Southern Song Dynasty (南宋, 1127-1279). . During the Muromachi period (室町, 1337-1573), Seto yeast was further refined, developed in various styles and modeled for tea ceremony utensils. Since the Korean potter Yi Sam-pyeong (李参平, died 1655) was abducted and brought back to Kyushu (九州), the discovery of kaolin white clay in Hizen Province helped him become the first Japanese porcelain profession to produce. made in 1616.
The Japanese began producing Sometsuke porcelain, imitating Western designs and serving for export from the 17th century. The Tokugawa shogunate (1603-1867) imposed a nationwide policy (鎖 国) in 1633, resulting in discontinued porcelain exports to 1757 and then to an end. History records the 14th shogun Tokugawa Iemochi (徳川家茂, 1858-1866) in an effort to give Queen Victoria a tin of Seto porcelain food in 1866 until handing over power to Emperor Meiji in 1867.
The porcelain arrived in the Seto region quite late in the early 19th century, consisting of mainly Sometsuke, Ruri and Celadon porcelain called Shinsei-yaki (真成焼, new and molded porcelain) to distinguish it from Hongyo-yaki, (本行焼, traditional ceramics). Ruri specializes in religious goods and offers Western-style tableware, dishes and vases. Sometsuke and Celadon are manufactured as moist tea utensils, deer wine, vases, bonsai pots (盆栽) with oriental characteristics, captivating collectors’ passion for hunting as it continually wins awards. Grand prize at the Paris exhibition for a short time from 1900 to 1901.

Skateboarder Nicky Hayes passing on skills to NT’s potential future Olympians

After years of professional skateboarding, a kids worker in a far off Aboriginal network is turning his attention to coaching and encouraging youngsters from significant Australia to dream of the Olympic stage

Eastern Arrernte guy and conventional owner Nicky Hayes become the first skateboarder inside the Northern Territory to be authorised by way of the Australian Skateboarding Federation and one of the first and simplest Aboriginal skate boarders to have an reputable sponsor.

After gaining knowledge of to skate at age 12, he went on to emerge as one of the simplest Indigenous skate boarders to compete at an elite stage.

Now he is taking matters one step further, training younger humans.

With skateboarding making its debut as an Olympic sport at the 2020 Tokyo Olympic video games, Mr Hayes is dreaming massive, hoping to look young Territorians — especially the ones from his place of origin of Santa Teresa, or Ltyentye Apurte, east of Alice Springs — compete on the sector stage.

“The purpose I desired to paintings with children is to give them the possibility to do whatever … I never had that,” Mr Hayes said.

After supporting to set up the first Skate Park in Alice Springs in 2004, Mr Hayes began a marketing campaign to get a park constructed Santa Teresa in 2017.

“whilst you carry something special, it is sort of like a large scary issue as properly, especially for faraway communities wherein it’s all about the football,” he said.

“It would not come easy, under no circumstances. [It requires] hard work, determination, passion and drive.

“this is the principle aspect for these youngsters or those young human beings. if they want to succeed in anything [that’s what they need], it really is my advice.”

From the desert to the town
Mr Hayes is preparing to take a collection of children to Brisbane in 2020 for his or her first interstate skateboard opposition.

artwork auctions, fundraising events and an online crowdfunding page have helped the institution increase almost $20,000 to pay for the trip.

One of the travelers, 9-year-old Ruot vegetation, said he became excited to meet other skaters from throughout the united states of america.

“have been going to Brisbane to skate — it’s loopy, i am excited,” he stated.

subsequent yr will even see Mr Hayes begin his personal “emblem”, a task he has dreamed of seeing that he first picked up the skateboard at age 12.

Takashi Murakami – a symbol of contemporary art

My artistic roots lie in my experiences in the first half of the 1970s, when Japan was still recovering after losing World War II, ”Takashi Murakami shared in a CNN post.

I have never excel in painting. ”

The recent contemporary art exhibition by famous artist Takashi Murakami at the JC contemporary gallery in Hong Kong (China) has recently created a huge buzz among critics, international media as well as lovers. art around the world. With the title MURAKAMI, the exhibition displays the best works of the author. “The exhibition goes into the description of many aspects of the artist’s soul in the universe, using large-scale postmodern works to the image of iconic smileys,” according to the gallery’s description. .

Loved by iconic characters like the brilliant Kiki Kaikai flower or Hiropon character but little is known, Murakami has a not very flashy start. Back in the 1980s, when he started his career, he didn’t have a special status as an artist. “I have never been an outstanding artist in painting,” he told Artsy in an interview in early April this year. Without a resounding work of art, Murakami of the 1980s was just a “discontented, discouraged student with conservative education and dreaming for better things,” in his own opinion. .

Takashi Murakami had his first solo exhibition in 1989, at Tokyo’s Ginza Surugadai Gallery and started holding small exhibitions from Japan to New York City (USA) around the time. there. According to the artist, he always thought that New York was one of the important centers of art.

The inspirations that make up Murakami

These early experiences helped shape Murakami’s extremely unique art vision, which later contributed to the global symbol of contemporary art.

He used to take a training course on Nihonga (traditional Japanese painting), but this is a school that contributes little to Takashi’s future success. In an interview with Artsy Magazine, he said that Nihonga is a boring and boring painting style when “putting crushed mineral pigments on washi paper”. He also said: “Nihonga is not a genre where talent can bloom because the content is too smart. This is in fact the paintings that are modeled less subtly than the work of impressionists. ” Nihonga paintings in this period are strongly political, selected by galleries because of factors related to power struggle. Therefore, many young painters have no place to show their talents.

Murakami’s early works of art were conceived during the peak of the Japanese economic bubble. This was the period when the Yen had a high exchange rate against the US dollar and a remarkable GDP growth rate. However, along with that was the explosion of consumerism, which greatly affected the views and activities of the art market. At this time, although the art market was still limited, it began to operate similarly to the contemporary art world today. Murakami’s works during the 80s and 90s are often inspired by Japanese comics – an immortal empire since the post-war period. Inspiration from the comic helped Takashi Murakami create Hiropon (1997), one of the works that set up completely new rules for designing human shapes.

Japanese popular cultural heritage is the basic principle for Murakami’s art. In the 1980s, with the development of modern folklore, he decided to turn his art into useful things in the daily life of the Japanese people. The 2011 earthquake and tsunami hit Japan was a major turning point for Murakami and his art. In an interview with CNN, he shared: “Facing the fact that tens of thousands of people could be killed by a natural disaster, I fully understand why in Japan, many people believe in gods instead of a certain religion. ” This is also the main inspiration expressed in the most famous duo KiKi and KaiKai in the career of the 57-year-old artist.

At the present time, Takashi’s works are on display everywhere, from the Palace of Versailles to the auction exhibitions. At the same time, he also collaborated with many famous fashion empires such as Louis Vuitton, famous designers such as Virgil Abloh. In Tokyo alone, commercial works called Takashi Murakami can also be seen from the windows of the Roppongi Hills and Tokyo MX TV complexes.