Margie Moore

Psychological effects of art

Everyone has flaws in mind. Art will help heal those injuries, thereby making us more complete, from within ourselves.

Strengthen your memory

Human memory is not perfect, so it is understandable that the fear of forgetting is one of the sources of trouble in humans. We easily forget about specific details about people, places, buildings, parks, but we fear that when we combine those details together, we can forget a part of who we are. But Armstrong and de Botton comfort us that a great artist is also someone who knows the right choice of what to convey in a work and what should be removed. It is like being able to remember only the most important things.

Bring hope

Our contradictory relationship with beauty represents a particular paradox. Popular works often have a popular beauty, but academic critics see them as decadent products of taste and wisdom. Things that look good often imply that they are being viewed overly simplified as if you wanted the world to be brighter, you just had to add a little flowers. That innocence and simplicity distracts us from our efforts to change. In addition, limits are always afraid that good-looking things will make us lose their guard against injustices around us.

Recognize your sadness

Apart from positive emotions, art also reminds us of sadness which is a vitally important part of life. Above all, as de Botton and Armstrong argue, art makes us feel less lonely in our own suffering; Our own sorrows will be portrayed as iconic images by other individuals in society.

Help rebalancing

This function of art also helps explain the diversity of our tastes. Since each individual is imbalanced in a different way, people also look to different works of art to ease their state of mind.

Help self-understanding

We don’t feel ourselves clearly. We have intuitions, doubts, premonitions, vague thoughts, and oddly mixed emotions, all of which cannot be briefly and transparently defined. We have many moods, but we have never really understood them. And then, sometimes, we come across works of art that seem to touch something we have never felt in detail.

Dolce far niente: The art of living happily from the Italian quiet

As things progressed, people became more and more busy and had less time to enjoy life. The Italians have a very effective life secret that can help all of us solve this problem and live happier lives.

Italy is a country located in the Mediterranean region. The Italian’s view of life is almost different from the West and very close to Eastern values. From that similarity, there are many things that we can learn from this distant country to help improve our quality of life. The most remarkable thing is that they attach great importance to the balance between work and enjoyment to achieve a truly happy life.

“Dolce far niente” Concept of the Italians
“Dolce far niente” is a phrase that Italians use to describe the comfort, happiness that comes from the idle state, tranquility of the soul. This may seem like a luxury to some, but Italians in Florence and Tuscany believe that joy can be found in the very intimate, familiar things you love such as eating delicious, delicious food. Watching an interesting movie, reading a good book. “Dolce far niente” is not only for the rich in terms of time but it is a philosophy deeply ingrained in Italian perception.

In the film Eat Pray Love (2010), the character Elizabeth (played by Julia Roberts) blamed herself for all she did in three weeks in Rome was just eating and learning a few Italian words. Then, her companion said, “You are not someone who knows how to enjoy yourself.” They are describing the concept of “dolce far niente” and it seems that Elizabeth has not really understood the happiness that comes from idle.

The Belmond Hotels Group in Tuscany and Florence launched an experimental campaign around the idea, coinciding with the opening of the Castello di Casole – a place built for resting purposes in the heart of the region. Tuscan countryside. It’s easy to enjoy a happy life when we relax by a pool overlooking the Tuscan hills and this is how the world of the “dolce far niente” concept begins. The tours offered by Belmond also bring guests to meet local artists, pizza chefs, and designers. Each of them has their own idea of ​​how to enjoy the happiness of leisure in work and life.

One evening at Castello di Casole is also attended by a group of local artisans, including designers, basket weavers and furniture makers. Their work is deliberate, stable, and comfortable. The weavers try to preserve the traditional craft, the designers always come up with new ideas to bring unique designs or furniture makers are meticulous and sophisticated in creating. out each line on the object. They seem to have a world of their own and stay away from the “go fast and break the limit” philosophy set by Facebook’s Mark Zuckerberg. In that world, they completely focus on themselves, understand and feel great joy when creating and bringing to life art products rich in aesthetics.

Radicondoli – a hilltop commune in the Sienese countryside is the place that brothers Tommaso and Federico Vatti run the pizza restaurant La Pergola. On a large terrace facing the hills, Chef Tommaso offers four different versions of the pizza, all using local ingredients. The combination of specialty pizzas and red wine creates the perfect space to enjoy the cuisine in a quiet and peaceful position. According to Italian tradition, the meals here last for hours.

The Italians believe that in order to enjoy the “dolce far niente” state, we need to understand its rules. The first rule is that you must be able to enjoy what you do, including the time you spend in it and the things you create. The second is that we should not judge our own work or the work of anyone else. Rule number three is very important: do enough work. People have a habit of overwork and over-planning, but if you work too much, you will destroy any positive emotions. Learn how to rest your brain by thinking nothing.

Robert – Clara – Brahms: The story of artists behind their music (part 2)

Clara has always been the muse of Robert Schumann. Clara’s signature works appear throughout Robert’s entire work, under abundant musical quotes, dedication, allusions, lyrical abundance.

Schumann’s Clara is not only a good artist but also a composer. She does not compose much and her works are also little known. Mostly due to prejudice about the female composer of that period. However, records show that her seventh-class piano concerto was completed in 1835 and made its debut in November of that year under the performance of the Leizig Gewandhaus orchestra and Felix Mendelsohn. This work reflects the soul and creativity of the 16-year-old female musician, starting with the Classical period stereotypes but later surpassing them with her talent.

Clara doesn’t spend a lot of time composing, but at a special moment, she still devotes a small part to her musical feelings. In 1853, Clara wrote a series of seven variations on a gloomy and sad theme by Robert.

Robert’s death brought Clara completely back to performing and teaching to support the whole family, a career that ended in 1891 at the age of 70. She stopped writing but Clara spends a lot of time editing, publishing Robert’s works, especially of the unknowns, and thereby further popularizing his art.

Hearing the news that Robert was in a nursing home after jumping into the Rhine at the devil’s instigation just four months after that memorable October, Brahms rushed back from Hanover to Düsseldorf. More than anyone, Brahms loved and admired Robert. Recently, Robert also instructed him and introduced his name to the European public, declaring this young Hamburg man to be the savior of German music. Worried about the Schumann family background, Brahms decided to stay with Clara and the children. Because Clara was not allowed to meet Robert, Brahms became the most visited of the nursing home, and brought many of Robert’s friends to visit him. For the two and a half years before Robert died, Brahms stayed by Clara’s side, comforting her, watching over the kids while Clara was on tour and even teaching the piano to help her with her life.

Artist Hajime Sorayama and the art world of taboos

Over 50 years of his career, artist Hajime Sorayama – who once resonated with the impressive fembot statue in Kim Jones’ Dior Men Pre-fall 2019 – still challenges the limit between the pure beauty of women and sexual norms in society.

Artist Hajime Sorayama identified himself as an illustrator instead of an artist. According to him, illustrating is a process that is “drawn from logical thinking, rather than reflecting ordinary hate feelings”. Sorayama is famous for the art school he calls “surrealism.” Referring to him, the art lovers and even the fans of the science fiction genre often think of fembot illustrations (female robot figures) that have a bit of mixed charm. Very charming fascination of female body curves and sensual lustful inspiration.

At the age of seven, the endless creativity of this artist is still warmly received by fans at art exhibitions around the world and through collaborations with famous fashion brands that Dior Men Pre-fall 2019 is a typical example. In this article, let us look back on the artistic journey of artist Hajime Sorayama.

Touching the painting lane
Artist Hajime Sorayama was born on February 22, 1947 in Imabari City, Ehime Prefecture, Japan. Before he realized his passion for illustration, he went through puberty with many different career orientations. He once shared that his predestined relationship with painting only came when one of his high school teachers realized his talent in drawing through Playboy-inspired paintings and suggested it to him.

While studying majoring Greek and English literature at the school at Shikoku Gakuin University, Sorayama published the first illustrated magazine called Pink Journal. However, his ideas and inspiration in this work faced harsh criticism from lecturers and students for being “too sexy” compared to the views of the majority of Japanese at that time.

After that event, he moved to Tokyo’s Chuo Art School completely to pursue painting. He graduated at 21 years old and worked for an advertising agency before becoming a freelance illustrator at the age of 25. At 31, while working with a friend, he produced the first robot illustration inspired by the C-3PO character of the Star Wars series.

Challenge the line between exquisite beauty and vulgarity
Being creative in his own art philosophy, Hajime Sorayama gradually shaped his personal illustration style through a series of fembot works that broke the line between fiction, femininity and sensual satisfaction. In the context of a Japanese society that is still wary of body-exposed images and content, Sorayama has gradually broken that barrier with his determination to pursue the school he described. two words “surreal”.

Anyone can be an artistic creator

When does a work become art? Would the picture of the Mona Lisa be so expensive if only hung in a warehouse? Why can bananas stick to walls? Those are the questions many people think of when talking about art. And one does not shirk the truth nonetheless: Art exists only when there is an audience.

As the history progresses, the audience is getting closer and closer to the artworks. From the beginning, when art was primarily for religious rituals and beliefs, audiences were forced to stand in the distance and to look forward. Then, gradually, works of art began to appear in families, whether in the form of painting or music. The works then leave the private spaces, displayed in museums for anyone to come and admire. They are even given public spaces, so that people can touch, touch and contemplate themselves in them.

However, it was not until the era of interactive art that audiences truly became an essential part of art. They are no longer people watching, admiring or taking pictures with the work. They are the contributors to turning art into art. In other words, they are co-creators.

INTERACTIVE ART OF THE TECHNOLOGY ERA
Compared to other art forms, the art of postpartum interaction is later, but is now one of the ways to help artists soon establish their names quickly. The special feature of this art form is the ability to transform the work, giving each audience a completely different experience. The first recognized interactive artwork appeared in the 1960s, when artist Allan Kaprow commissioned a garden filled with old tires and audiences could freely create their work as they walked. go there.

PLAYING ART
Returning to audience participation, precisely because of this feature, interactive art also often requires special display spaces compared to traditional art forms. Regardless of technology’s dependence, in order for the audience to be able to co-create, artists must calculate the space so that they can step in and become part of it. In many cases, an interactive artwork will require a colossal space.

Some of these examples show what makes this art so powerful. Because whether or not you truly understand the messages behind the works, one thing is for sure, the audience will never be bored. They will not have to experience the feeling of being overwhelmed or tired of the weasel knees like walking through the immense museums to see the classics. Co-creation, whether subconsciously or artistically, to bring audiences back to a curious child may have long been forgotten. And maybe because of that, they will feel that art and life are truly one, and everyone has a great source of creative energy, as long as someone gives them the opportunity.

Robert – Clara – Brahms: The story of artists behind their music (part 1)

The relationship between Robert Schumann, Johannes Brahms and Clara Schumann is not merely a difficult-to-identify love triangle that hides special sympathies that only arise among people who live for music. It was also a source of many famous works by Robert Schumann and Johannes Brahms.

In the world of classical music, all three Germans are big names. Their strange relationship began with a young Brahms’ trip to Düsseldorf on September 30, 1853. He nervously brought a letter of introduction from violinist Joseph Joachim to the knock on the door of famous couple Robert and Clara Schumann. At that time, Brahms asked Robert to teach composition and timidly play some of his skits.

Hearing a few notes, Robert stopped, stopped Brahms from playing the guitar, and quickly invited Clara into the room to enjoy the talent of the unknown young man. When the whole room was filled with the magical music that Robert and Clara had never heard, it signaled an important moment in Brahms’s life. And this is also a memorable moment in the history of music: a blend of the souls of three artists, three composers whose names are tied together forever.

At that time, Robert Schumann at the age of 43 was an illustrious composer with a range of compositions spanning many genres, from lied, chamber music to concerto, symphony, opera, chorus. He co-founded Neue Zeitschrift für Musik, a music magazine dedicated to new perspectives compared to his contemporary, and introduced Chopin to Europe. Besides, Robert Schumann is also known for his romantic relationship with Clara Wieck. She was a talented, beautiful pianist and the daughter of his own teacher, Friedrich Wieck, who had objected to a marriage that made Robert wait for Clara to be 18 years old so that she could make her own life.

By the time of the meeting between the future composer and the Schumann family, Clara was 34 years old, the mother of seven children, and was preparing to welcome another child next year. Clara is not anonymous. Her name has resonated throughout Europe on tours since she was a nine-year-old prodigy debuting at Leipzig Gewandhaus and publishing her first works, four Polonaise. Top contemporary composers like Franz Liszt, Frédéric Chopin, Felix Mendelsohn, Nicolo Paganini, even the poet Johann Wolfgang von Goethe, all admired Clara’s talent.

Notable art exhibition of 2020

If you are an individual who loves art and is interested in artistic life, let us quickly update the list of the most significant art exhibitions around the world in 2020 through the following article.

The remarkable thing for the (contemporary) art movement in recent years is that it has overcome all barriers and become a global cultural phenomenon. They are closer to the general public through a more understandable language, associated with fashion brands, music, visual slideshows as well as with commercial promotion campaigns. Of course, besides new approaches, traditional art exhibitions are still indispensable. If you are an individual who loves art and is interested in artistic life, we will quickly update the latest international exhibition list in 2020.

  1. Furusiyya: The Art of Meditation”
    The Louvre Abu Dhabi houses more than 130 historical items from France, Iraq, Spain and Syria, with a medieval knight theme. Artworks have been selected from a range of museums, including the Musée de Cluny, the French National Museum in Paris. “Furusiyya: The Art of Meditation between East and West” is expected to receive many comments from artists.
  2. Gerhard Richter: Painting After Everything”
    Richter is an interesting artist who is well-known for his incredible valuation works in prestigious world auctions. In 2015, an abstract piece of his art was auctioned for $ 46.3 million at Sothwise in New York. The artist “opened the pen” in 1986, took about 29 years to complete.

His art blurs the line between photography and painting, evoking memories, loss and repression. Now, with 100 works on display at Met Breuer, the exhibition “Painting After Everything” will showcase his skills in the most honest way.

3. “Niki de Saint Phalle”
Saint Phalle was a talented artist born in 1930 and died in 2002. She began working as a professional artist in her 30s after pursuing a modeling career. After the modeling career ended, she emerged with her sculptures. Saint Phalle addresses exotic and unique subjects such as “the flying woman” and “Gaudi-esque architectural monument”. In this exhibition in New York, there will be 100 works continue to prove her vision and artistic tastes.

Office Decorative Tips To Help You Work Effectively

A number of scientific studies have proven that the health, emotions, labor productivity of office workers and working space are closely related. Just a small change to this space, your working spirit is much more excited.

The trend of modern office design today gives priority to open workspaces combined with green areas. For creative people, space also needs breakthrough elements, such as color or individual angles for them to fly.

Take a look at your workplace. If you need to upgrade your office to work more effectively, you can try the following suggestions:

  1. Take advantage of the sun
    Getting the most out of natural light is one way to keep your energy full. Also, looking too long at a computer screen is bad for your eyes and makes you prone to headaches. So, relax the eyes and brain by zooming into the large space outside the glass window every 2-3 hours.
  2. Choose a relaxing scent
    The secret for you to focus on working in the office all day long is the smell. To make sure there are no strange odors that may distract you, light candles or light an aromatherapy essential oil for the office. The scent of peppermint helps you increase your concentration, while citrus notes help you relax.
  3. Towards minimalism
    The work area with too much furniture makes you feel stuffy and stuck at work. Minimize helps make the space tidier and more sophisticated. As a result, your work seems to be resolved quickly and easily.
  4. Add highlight colors
    According to many studies, color stimulates nerve cells, thereby helping creative or intellectual activities to be solved effectively. Try hanging a colorful picture to make your office more impressive!
  5. Bring nature into the office
    Flowers and plants help clean the air. The cool green of the trees also helps you relax your eyes and refresh your mind.

Art Exhibitions that worthing to enjoy

Furusiyya Exhibition: The Art of Chivalry Between East and West
Louvre Museum, Abu Dhabi

But only a mere two years old. But the Louvre Museum in Abu Dhabi is known for its impressive exhibits. This spring, it will show more than 130 historical items. The exhibits are from France, Iraq, Spain and Syria. This exhibition will tell the public the story of medieval knights. Here you can see firsthand the swords of the famous knights. Many of the artworks on display here are borrowed from major museums around the world such as the French National Museum of Medieval Paris and the Cluny Museum. There are also many artifacts owned by the Louvre, Abu Dhabi.

Painting exhibition by artist Gerhard Richter: Painting After All
Met Breuer Museum, New York, USA.

The world of painting is probably not new to the artist Gerhard Richter. His abstract paintings are a mixture of surreal paintings and photography. Richter’s paintings always bring viewers sadness. In 2015, a large painting he painted in 1986 was sold for $ 46.3 million by Sotheby New York. This year you can see more than 100 of his works at the Met Breuer Museum, New York, USA. This is considered the largest exhibition of Richter in the US in the past 20 years.

Marina Abramović: After Life
Royal Academy of Arts, London, England.

This is Abramović’s first solo exhibition in the United Kingdom. And more noticeably, this is also the solo exhibition of the first female artist held by the Royal Academy of Arts in the museum’s 250-year history. Art enthusiasts often know Abramović for their artistic performances of endurance.

One of her most noticeable items was the 730 hours she looked into the eyes of Mordern Art museum visitors. Not only known as a performing artist, Abramović’s 50 years of artistic activity are marked by countless photographs, films and works of art. All of these items will be on display in her exhibition at the Royal Academy of Arts, London, UK.

A Short Brief About Modern Art

Modern art is the reaction of the creative world to the realities and views of rationalism about life and the new ideas provided by the technological advances of the industrial age that make society represented in new ways than before. Artists have worked to represent their experience of the novelty of modern life in more creative ways. Although modern art as a term applies to a large number of genres of art that lasted more than a century, aesthetically, modern art is characterized by the artist’s intention.

The doctrinal creativity of modern art may be more finite than postmodern art. With postmodern art, it is almost infinite freedom. It does not have the concept of beauty and evil, the freedom of the will always exceeds the limit which cannot be explained in the conventional aesthetic sense.

Modernism refers to a vast movement in Western art and literature that has been collected and propagated since about 1850. It is characterized by deliberate opposition from styles of the past. ; emphasize innovation and experiment in new forms – materials and techniques to create works of art that better reflect modern society. Modernism emphasizes personal imagination, culture, emotions, memories and artists’ memories.

Modern terms and modern art are often used to describe the succession of artistic movements that critics and historians have identified from the practicality of Courbet Gustav (French painter has pioneering ideas) and culminated in abstract art and its development in the 1960s and 1970s.

The centuries before the modern era have witnessed many advances in visual art, from the humanistic requirements of the Renaissance and the Baroque to the intricate imagination of Rococo style and ideal physical beauty. European neoclassicism of the 18th century. However, a common feature in these early modern periods is the idealization of objects, whether human, natural or situations occurring in society. Artists often draw not what they perceive with the subjective eye, but what they envision as the ideal exemplary purity of their subject.